My film review assignment (just so so...)

Saturday 24 October 2009
By Sonia
This should be the 1st assignment of mine that actually has a 2nd draft!

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Film Review : Kandukondain Kandukondain

Jane Austen's works have been the favourite of film makers for a long time. There are films and TV series based on Pride and Prejudice, Emma and other Austen's works.

A few years ago, a film called Bride and Prejudice impressed the global audience with the Jane Austen story with an Indian touch. Pride and Prejudice is not the only work of Jane Austen that has an Indian remake. Kandukondain Kandukondain is a remake of Jane Austen's first novel, Sense and Sensibility. It was not remade by Bollywood, which is better known to the global audience, but by another major Indian film production centre Kollywood, the Tamil cinema.

This essay will discuss the different types of love illustrated in the movie and the Indian characteristics of the movie. Personal opinion on the film will also be shared.

Part 1: Summary
The story of Kandukondain Kandukondain evolves around the life of two sisters, Sowmiya and Meenakshi, and their family. The family is a respectable one since they have been running a local school in the village. The focus of the film is the romantic relationships of the major characters.

Sowmiya, the elder sister, is the Principal of the school. She is of marriageable age but not yet married. Everyone in the village thinks she is inauspicious because a man approached the family to discuss marriage died right after meeting her. This rumour disheartens and troubles Sowmiya. She acts tough just to reassure her family. She meets Manohar who is struggling to become a film director. They fall in love but Manohar will not marry before he can make a breakthrough in his career.

Meenakshi, the younger sister, has many fantasies about love. She meets Srikanth, the owner of a finance company. It is love at first sight. But young Meenakshi also catches
the attention of a disabled retired soldier, Major Bala.

Unfortunately, the family is driven away from their home as they cannot inherit the property. They are forced to leave for Chennai and face the hardship of living in the city. At the same time, problems also come up in the relationships of the two sisters.

Part 2: Love Illustrated in the Movie
1. Familial Love

Usually, when we talk about love in movies, we would think of romantic love. But the movie can show another important aspect of love in the Indian culture – familial love.

First, we can see that the unity in the family is strong and they are willing to sacrifice for each other. After the family left their home, they had to settle in Chennai. Sowmiya took tried very hard looking for a job to support her family. She was willing to work as a receptionist even though she used to be the Principal of the school. And her mother and the old maid also tried to ease the family’s burden. They sold all their jewelleries and worked in a restaurant despite their respectable family background.

Besides, the characters in the movie are caring to their family at the time of need. Sowmiya and her family used to stay away from their village because her grandfather disapproves the marriage of his son and Sowmiya’s mother. But they returns to take care of him when he becomes seriously ill. Another son of grandfather’s was away from home and left the responsibility to Sowmiya and the others. Major Bala’s uncle is also a caring elder. He keeps Bala company and always encourages him.

Finally, family is forgiving. When grandfather died, he left the house to his son. His wife drove Sowmiya and the others away. However, when the son died later on, they came back from the city for his funeral and were kind to his wife. They did not take revenge of the way she treated them.

2. Romantic Love
There are three romantic relationships in the movie.

The first one is the relationship between Sowmiya and Manohar. Different from typical Indian romantic fantasy, Sowmiya’s relationship with Manohar was very subtle. Sowmiya hopes for love and care but she did not show it because she bears the burden of being called unlucky and the responsibility of taking care of the family. People look up to her and expect her to be prudent and reliable. Therefore, she often suppressed her feelings and did not let anyone know. Her relationship with Manohar depicted in the movie is also far from perfect. She had to work very to support the family and Manohar was constantly struggling to have a breakthrough in his career. The difficulties in reality caused them a lot of frustration.

Meenakshi is romantically involved with both Srikanth and Major Bala.

Meenakshi is the complete opposite of Sowmiya when it comes to the attitude towards love. She has always dreamt about it and indulged her imagination in poetry. Although she lives in a society where arranged marriage is popular, she challenges the feasibility of marriage without love. She believes love to be beautiful and passionate. She thought that other people should be awakened from the traditional values of marriage.

Srikanth seems to be the soul mate and true love that Meenakshi has been waiting for. He has all the qualities of a typical Indian romance hero. He is wealthy, successful and handsome. When he first met Meenakshi, she was injured and he came to her rescue. Also, he shares Meenakshi’s passion for poetry. However, this passionate love does not last. When Srikanth’s company is at the edge of bankruptcy, he marries a girl from a rich family to save his business.

When Meenakshi is completely overwhelmed by her relationship with Srikanth, she finds Major Bala annoying. He is an alcoholic middle-aged man. He is ashamed of himself because of his disability. Despite the fact that Major Bala is not a typical hero in Indian movie, his relationship with Meenakshi reflects the positive side of love.

Originally, Major Bala has given up on his life. After meeting Meenakshi, Major Bala quits his bad habits such as heavy drinking. He has a new purpose in life. Then, he helps her when she needs help and he does not expect any return. He thinks that the age difference between Meenakshi and him is irresolvable. He helps Meenakshi to contact Srikanth and later on persuades Meenakshi to marry another man. At the end, Meenakshi is finally mature enough to appreciate what Major Bala has done.

Part 3: Indian Characteristics
Having captured the main ideas of the book or the movie of Sense and Sensibility, Kandukondain Kandukondain has also managed to incorporate many Indian characteristics.

First of all, the audience can find some characteristics of Indian movies. There are many songs and dances. Indian films are known for their songs and dance. Tamil movie is no exception. Sometimes, time would be frozen and the characters depart from the storyline temporarily and start dancing and singing. Many people reject the use of song and dance in Indian films. But they can help develop the storyline and portray the feelings of the characters. Also, the importance of religion in Indian culture is reflected in the movie. Many scenes are conducted in religious occasions. Major Bala first met Meenakshi at a worshipping ceremony of Natraj. Some dialogues are also delivered when the characters are doing pooja in temples.

Second, several social issues are addressed in the movie. The first example is superstition. Sowmiya is not married because of the rumour about a potential groom committing suicide after meeting her. Since then, she has been labelled as the unlucky girl. In the 21st century, people are still heavily influenced by these superstitious ideas that have no scientific basis. Even Sowmiya, a well-educated person, believes herself to be unlucky. For this reason, she becomes very sensitive and has the idea that she would never marry. Another example is dowry. Nowadays, dowry is still popular in many parts of India. The family of the bride has to pay a sum of money and give other valuable gifts to the groom’s family. But the mother of the sisters repeatedly says that she would rather have men who marry her daughters for who they are but not for their asset.

Finally, the movie mentions the Kargil war. Kargil war was the conflict between India and Pakistan in the Kashmir area in 1999. Although it lasted for a relatively short period, it was widely reported in the media. In the movie, Major Bala was an outstanding soldier but he lost his legs in the Kargil war. He realized the cruelty of war. Since then, he could not find the motivation in life and he found no purpose to lead a positive life. The war is not only important in portraying Major Bala’s character. The filmmakers start the film with a scene of fighting and there are also a few scenes in which Major Bala expresses his questions and anger towards the war and the government.

Part 4: Opinion
In general, Kandukondain Kandukondain is an entertaining film. It is a good adaptation of Sense and Sensibility. I think it has outdone Bride and Prejudice as an adaptation of Jane Austen’s work. The acting is good as the movie has prominent actors from both and North and South Indian cinema in the leading roles.

It was an interesting experience to watch Kandukondain Kandukondain because I could compare the Tamil films and Hindi films. In general, mainstream Tamil films are quite similar to mainstream Hindi films. In 2 to 3 hours, there has to be humour, romance, songs and dance (the only part that is missing is the exaggerating action and fighting scenes which audience can often find in Tamil movies). But details in the movie, such as clothes and accessories, can reflect how South Indian culture is different from the North. For example, South Indian women like to wear flowers in their hair and a lot of gold accessories. It is also common for South Indian men to wear dhoti, while not traditional clothes are less popular among North Indian men. There are also completely different standards of beauty, especially for men.

As an adaptation, I was amazed how compatible a Western story can be in the Indian context. The 17th-century England and modern South India are completely different, yet the main ideas and the values underlined in the story can be perfectly presented in both contexts. It is another thing that I really appreciate in Kandukondain Kandukondain – It is an entertaining movie but it is not unrealistic as many Indian movies are known to be. It is closer to the daily life of most people and it has touched on some social issues.

It being a mainstream Indian film, the audience can expect a happy ending. But I think it is not just the usual cliché but brings out something positive. Compared with Sense and Sensibility, it seems to be more fortunate for the characters in Kandukondain Kandukondain. Even though they were in difficulties, they could be less passive in the process of becoming independent. In Sense and Sensibility, the Dashwood family could only hope and wait for assistance as they were restricted by their gender. But in Kandukondain Kandukondain, they can have more control over their life although the situation is difficult. Women are less vulnerable than they were a few centuries ago.

3 comments:

24 October 2009 at 02:07 Agnes Tse

唉, 我點先可以寫到咁長既雞腸?

24 October 2009 at 18:03 Sonia

Well, 咩野都可以練習...... 經過4年大學生活ge"折磨", 好難寫唔到 :P

我係寫呢D野先有心機........

11 November 2009 at 11:53 Anonymous

Nice review! A couple of comments, though:

* The military engagement mentioned is not the Kargil war, but the one where India sent a peacekeeping force to Sri Lanka during the conflict between the Government and the Ealam movement in the north. As it happened, one eventual fall-out of that engagement was the assassination of our prime minister Rajiv Gandhi.

* In some ways, especially as it concerns the extent to which social pressure plays a part in marriage, India even today is almost an ideal setting for Jane Austen's novels. Some of those walls are crumbling, especially in the cities (as the movie itself portrays), but in many places, they are still up.

~ramsu

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